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This trumps the advice above meaning it's better to place a level 2 monster you're strong against than a level 3 monster you might die against even when your hero is level 3 or 4. If your only options are monsters your hero struggle against, simply don't place one. my Ranger generally sucks against spell casters). Learn which monsters your hero is strong against (e.g. Also the card a single "+1" in an attribute will add is pretty crappy so take this into account when picking loot, especially late in a dungeon.Īim to fight one lvl 1 monster then one lvl 2 and then just lvl 3s as lvl 3 loot is much stronger. "Fire" for spell casters) rather than getting as many attribute points as possible overall. The higher level ones are much stronger so focus on maxing out a few attributes that synergize well with your hero (e.g. "Fire" or "Blade") adds one unique card to your deck up to level 4 in that ability. but this also depends on how the fight is going overall (see playing at an advantage/disadvantage further up).Įach level in an attribute (e.g. One exception to this could be if you know the monster's next attack may otherwise discard your quick attack and it's the most powerful card in your hand. Save your quick attacks until the finishing blow if you don't have a very good reason to do otherwise. So (almost) never pick loot that will give you cards that don't synergize with your hero. Remember the first rule of deck building: The fewer cards you have in your deck, the quicker you'll get to your deck's game changing cards. The more your cards and abilities feed off each other the more powerful your character generally is. Related to that: Always focus on synergy. blocking with the Bruiser or heavy physical attacks with the Ranger) is generally more powerful than trying to adapt to a certain enemy's weakness. Picking loot that synergizes with your hero's preferred play style (e.g. More cards in hand also mean you're less affected by "Stupidity" which may affect your choice of loot. The more cards you can to pick from the better you can mitigate bad luck and the better you can plan ahead. Having at least one "draw card" ability is immensely helpful.Exceptions are for instance if you need the block for a stronger nuke, have a huge hand already or have no valuable cards on hand anyway. If you can, always block an attack that forces you to discard. play a weaker "draw card" card over a damaging attack when you're at a big advantage since this will mitigate the risk of bad luck later in the fight. The same is true the other way around, e.g. Some examples might be to waste that strong shield against a weak attack in the hopes of the enemy not getting their nuke ready before the fight is over or you get another big shield. The more of a disadvantage you have against your opponent (higher level monster, a boss or simply having less health) the more you need to take chances and play in a way that relies on you getting the right cards in the right order from both your own and the monster's future draws. This might affect how you use shields or heals when nearing this threshold. tank a few hits while saving that "shield all" for the monster's massive nuke that'll come eventually).ĭo your best to stay above 2 (later 3 or even 4) HP as in this position your options for which card to play is very limited and one unblockable attack can end the fight. Health is king as many monsters have multiple (strong) unblockable attacks and it overall allows you to use your cards to their fullest potential (e.g. For this feature to work, the Mac needs a location where to save these indexes. I don't know when it decides to do so and when it decides against this. The Mac can also keep a local index of remote drives. Similarly, it is unlikely for a NAS to understand Finder tags and allow searching by tags with no importer to process Pages files, the NAS cannot extract and index text content from such a file. Indeed the NAS cannot rely on specialized importers to process files. Search features provided by the NAS cannot match the full capabilities of a local Spotlight index. I don't know if these drives save an actual Spotlight index or have their own technology that is queried when the Finder on a remote Mac runs a search. Some NAS drives support remote searches via Spotlight. Such importers are installed with the system and with third-party applications that introduce new file formats. Spotlight relies on importer plug-ins to read various file types to extract metadata and content. Spotlight indexes can exist on external drives and on network drives. The Spotlight window that you invoke by clicking the loupe in the menu bar searches only the startup disk. When Synology says that Spotlight can only search local files, one needs to clarify the distinction between Spotlight the engine/index/technology and Spotlight the interface/window. What else could I try? Is there any hope or possible workaround? Most of my documents are on the NAS, so both Spotlight and HoudahSpot are of very limited use as of now. However, I find in this discussion forum some posts about the possibility of using HoudahSpot even for remote drives in a NAS. Spotlight on the Mac desktop can only be used to search for local files". On the Synology KB () it is stated "Use Finder to search within mounted folders. Spotlight does not see any file from the NAS, but if I do a search using the searchbox in a Finder window where the volume in question is open, files can be found (by the Finder, not by HoudahSpot).Įven launching HoudahSpot from the Finder does not help, it cannot see a single file on the driveįor information, I'm on Catalina, the NAS is connected via AFP. I also stopped and re-initialised the indexation from the Terminal. I have a Synology DS215, indexation is active (mdutil gives an "Indexing enabled" for the volume I want to search). Yes, I know it's a common issue, but here's my situation. Beyond the Fallen's ties to Jormag and their spirit essence being related to Ox, the Vigil initially found no other clues about the ultimate fate of Ox.Īs the years passed, the fleeing kodan of Still Waters Speaking who were stranded in Bjora Marches discovered the Lost Spirits' actual fate, however. After learning that the Fallen were minions of Jormag, Researcher Yarixx found a way to manipulate their spirit essence of Resilience to turn them strong and weak against other minions of Jormag-the Aberrant and the Sons of Svanir-who had been infused with the essences of Valor and Vigilance related to other lost Spirits of the Wild. The Icebrood Saga ĭuring the Vigil's exploration of Bjora Marches in 1332 AE, several Fallen creatures with a red aura-ranging from norn and kodan to local wildlife-were found roaming around various ruined shrines dedicated to the Spirits of the Wild in the Aberrant Forest and the Fallen Mountains. Forgal Kernsson was the son of Kern, the last Dolyak Shaman. No norn had been blessed to serve as havroun to Ox in generations although it was unknown if this was because of Ox's potential demise in the battle against Jormag or because it was common for weaker Spirits, or those not close to the physical realm of Tyria, to be without a havroun. The norn did not know what had happened to Ox since the exodus, and they revered him with great sorrow, along with the other Spirits who had stayed behind, at the dedicated shrines of Lost Spirits' Hallow in Hoelbrak. Ox was one of the Spirits of the Wild-alongside Eagle and Wolverine-who stayed behind after Owl's apparent demise and fought the Elder Dragon to give the norn the time to prepare for their exodus to the south. As the natural embodiment of all oxen, Ox was revered as one of the Spirits of the Wild among the norn.įollowing the Elder Dragon Jormag's awakening in 1165 AE, the norn tried to defend their lands in the Far Shiverpeaks from its corruption and destruction, but they were no match for the Ice Dragon. Unsurprisingly, Ray's fantastic techno-utopianism - he popularized the "singularity," the claim humans can achieve immortality by uploading their consciousness to computers - comes across better when communicated by his daughter. Amy caricatures herself in winning self-deprecation as an anxiety-rattled New Yorker cartoonist (is there any other kind?) and as the frazzled artist barely keeping up with Ray's laser-focused scientific inquiry. Frankenstein project.ĭeputized into sorting Fredric's journals and letters so they can be fed into the program Ray calls "Dadbot," Amy uses that structure to jaunt off on loosely associated recollections of her family, husband and career. Amy's deftly humane spirit makes this idea come across as a loving investigation of the ineffable rather than a Dr. The author of "Flying Couch" goes further by incorporating another imposing familial figure: her late grandfather Fredric, a Viennese composer who fled the Nazis and whom Ray wants to reincarnate through an algorithm. But in the philosophical memoir "Artificial," Amy Kurzweil faces up to that challenge. Many artists would be too intimidated by having a father like polymath futurist Ray Kurzweil to draw a one-page comic about him, much less a whole book. Publisher: Europa Editions, 256 pages, $26. They cast a dreamy spell but their underpopulated spaciousness fails to transmit the clannish claustrophobia and nerve-rattling violence of Ferrante's novel.īy: Elena Ferrante, adapted by Chiara Lagani, illustrated by Mara Cerri. This is partly due to Mara Cerri's illustrations. Though Lagani hits the story's emotional beats well, her adaptation is a bit too serene. In a dramatic, fireworks-strobed moment where Lila suddenly demands eternal loyalty, it's unclear if she is driven by love or envy. Their relationship splits into jealousy, misunderstandings and emotional re-engagements. As the pair moves into adolescence, the dichotomy grows between Lila's impetuous, anger-flashing brilliance and Elena's cautious, analytic worry. Growing up during the 1950s in a poor neighborhood outside Naples, the two bond as precociously smart girls in a world that crushes the hope of living outside gender norms. The latest classic to get the graphic novel treatment ("Kindred" and "Watership Down" are among many others), Chiara Lagani's adaptation targets the story's emotional core: the impassioned yet combative relationship between narrator Elena and Lila, who morphs from friend to enemy to doppelganger. But as fans of the Neapolitan Novels know, there is nothing common about it. Like many fictional narrators, the voice powering Elena Ferrante's "My Brilliant Friend" is an introspective personality enthralled by a more confident pal. Publisher: Metropolitan Books, 304 pages, $29.99. Rodriguez ends "Worm" with a note of potent familial love, tinged with the anxiety of somebody who has lost one country and worries about losing another. Rodriguez's MAGA anguish - his image of an orange-faced Trump holding the Statue of Liberty's severed head was a common sight at protest rallies - grew as America seemed to turn against refugees like himself. But those wanting a schematic "Communism bad/America good" narrative may be disappointed by Rodriguez's take on Donald Trump: "I saw shades of my childhood in Cuba, of the repudiation acts against people considered enemies of the homeland." Readers buying into the revolution's utopian mythology will be disturbed by the harrowing violence (a student mob beats a teacher to death) and thought control (people terrified of being overhead by a "chivato," or government snitch). But though Rodriguez spent only nine years in Cuba, his memories have scars like those of escapees from other oppressive regimes. There are glimmers of Cuban kitsch: lush landscapes, fading colonial architecture, ironic revolutionary art. The book's title derives from the slur hurled by pro-government Cubans against those who decided, like Rodriguez's family in 1980, to leave what he calls an "island prison." His graphic memoir "Worm" grippingly evokes his life's dramatic turns and how political passions turn to hate. One of America's smartest illustrators, Edel Rodriguez grew up in a small Cuban town where paranoia was as rife as poverty. Four graphic novels, among the many fascinating titles hitting stores this winter, delve into a range of subjects: the stark politics and emotional legacy of the Mariel boatlift, a family's fraught experiences with digital reincarnation, thrilling exploits of hip-hop's pioneers and a graphic adaptation of a beloved Italian book series. Insert into that table the current values from the primary table.Create what’s effectively a staging table where we will store the current (original) value and its planned replacement.Whilst this might seem a straight-forward approach there are several steps to be taken to achieve this objective: We’ll also be doing this for every table which has the same column content whether implied by the database RI or otherwise. In pseudo-code “Update customer_table set customer_id to “new” customer_id where existing customer_id is equal to the “old” customer_id”. We’ll be updating the PK with new values, replacing any row which contains a specific value with a unique replacement using the “old value” as the join operator. It is this detailed planning which will smooth the way for the rule definition and, ultimately, execution. At this point it is also worthwhile comparing the row count with the new range start value and the item’s maximum possible value to ensure that there will be a large enough replacement value allocation. By their nature, Primary Key values will be unique and when we replace them the safest approach is to replace them with values which are:Īs an example, if the max PK value is 7654321 we could define a replacement range of 8000000 (leaving room for new keys to be allocated in the live application) and incrementing this new start-point by “1” for each key value to be replaced. When building our masking plan, it’s useful to also document row counts (as a snapshot) as well as the key value ranges in the primary table. The task may also call for us to span databases in the server, so we must discover and document this, as well. The first step is to identify those tables and their join columns and detail them in our masking plan. In all instances we need the ability to identify each unique join value and provide a replacement for it across the tables regardless of relationship. It’s also not unusual to find the latter approach is implemented across the data structures and no database relationships (PKFK’s) are implemented! It’s not unusual, however, for there to be other tables which are related to the primary table by application inference and not the database RI. Stating the obvious, these values are the glue which holds the application data together. It may, as another example, contain a family name such as “SMITH12345”.Ĭhanging PKFK values requires detailed planning. This is most likely because the key value contains PII data, for instance it’s a social security number. Sometimes we have no option other than to change the Primary Key and its associated Foreign Key items. If it’s a numeric value which on its own or in correlation with other items will not identify a person or disclose corporate confidential information the argument can be made to leave it as it is. When deciding whether a PKFK must be changed the first step is to evaluate the data content of the key. How do I change a Primary Key value and all the Foreign Keys associated with it? What if there are key items in other tables which are in an application inferred relationship with the Primary Key? Whether you need a replacement blade or some new screws, you can find them here! And if something goes wrong with your slicer, don't fret: our customer service team is always ready to lend a hand (and even provide fast shipping!). Plus, we've got an extensive selection of parts and replacements for whatever kind of slicer you have. It doesn't matter if you're looking for thin or thick cuts - our blades can do it all! 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Another thing you can do at the US Wingstop is you can customize your fries or you can get regular or extra seasoning. I don't know if you can get that in the UK. We can also get any Wingstop flavor on the side. Joe: So, for exclusive wing flavors, you can get these two, the Bayou BBQ and the lemon hot. Nice little freshness from the citrus, kick from the pepper. I'm gonna try the Brazilian citrus pepper using my patented wing-eating technique. There's actually one flavor of wing that we can get that you guys can't, which is this one, it's Brazilian citrus pepper. Joe: And here are all the exclusive items you can get at a US Wingstop. Harry: Here is everything you will only find on the menu at a UK Wingstop. For the drum, it's way harder to get the meat off. And also it feels like you get more meat on there than you do on a flat. Harry: I gotta say, I'm generally a drums guy over a flats guy. If you go boneless it's $94.39, and if you go all bone-in wings it's $104.19. Joe: Biggest single menu item at the Wingstop in the US is this, the 100-wing party pack. You get 24 wings, three dips, and no other sides. Harry: The biggest thing on the menu in the UK is this, the Flavour Craver wing platter. If you want, like, a kind of cooling thing with a similar effect to mayo in that regard, but, like, a little bit more tang, bit more seasoning. I don't know if Wingstop ranch differs to the classic ranch you might find in the States, but it's nice. We prefer, like, a garlic mayonnaise or a ketchup. Harry: So, fun fact about me, I've never actually had ranch before. I couldn't even guess how much this container weighs. First we're gonna weigh this, the regular size. Joe: Dips in the US come in two sizes, regular and this absurd tub. We're gonna weigh a cup of ranch to see how much we get. Harry: Dips in the UK only come in one size, and it's regular. The Wingstop we went to did not have any 32-ounce cups. Joe: Wingstop in the US, you can get your fountain drinks in two sizes, 20 ounce and 32 ounce. But, unfortunately, we weren't able to get one today. Harry: Fountain drinks in the UK come in one size. Joe: Our regular is bigger than your large, UK. Harry: And the large portion came to 255 grams. How do those look? Harry: We're gonna weigh them both to see what they come to. Joe: And in the US, our Wingstop fries also come in two sizes. Harry: What about a side of fries? Well, in the UK, these come in two sizes. Bigger chunks of meat over here in the US. We're over 300, and they try to pass this off as a tender. Joe: 200 and what? Way over 300 on this one. Harry: So, five plain tenders in the UK weighs 230 grams. Let's weigh five chicken tenders here in the US. I mean, I get it if you're taking your, like, 10-year-old there. Yes! I don't know what maniac is at a Wingstop and gets chicken tenders instead of wings. Joe: At a Wingstop in the US, you can get your chicken tenders in orders of four, seven, 15, 20, and 30. Harry: What about chicken tenders? Well, in the UK, those come in two portion sizes: as a portion of three or as a portion of five. So our average is 36 grams per wing here in the US. I needed my calculator app to determine what 360 divided by 10 is. So, 10 plain wings in the UK came to 290 grams, which is an average of 29 grams per wing. Harry: So, the portion sizes might be pretty different, but what about the wings themselves? We're gonna weigh 10 plain wings in the UK and do the same in the US to see how they match up. Eh, I could do better, but we gotta move on. 50, 75, and, of course, 100 chicken wings. Joe Avella: US Wingstop, you can get your wings in 10, 15, ooh, 20, 30! Hang on. Eight wings, 10 wings, 12 wings, or a Flavour Craver wing platter, which comes with 24 wings and three dips. In the UK, we can get wing portions in four sizes. Harry Kersh: From calorie count to portion sizes, we wanted to find out all the differences between Wingstop in the UK and the US. Account icon An icon in the shape of a person's head and shoulders. |
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